The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This is the model originally presented by ArcheoPablo, edited to show the action of each scene moving from left to right. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If you intend to use the photo for commercial aims, I would recommend you to contact the museum. Dating from the first half of the seventh century, it features the first Greek artists signature known, and the earliest representation of a scene featured in Homeric epic. Please note: Some museums permit photography of their exhibits for private, educational, scientific, non-commercial purposes only. As a product of Etruscan and Greek interaction, the so-called Aristonothos Krater is unique. bibliography: CVA Roma Musei Capitolini II, plates 4-9 museum / inventory number: Roma, Musei Capitolini, Palazzo dei Conservatori e Palazzo Nuovo 172 C.) fu trovato a Cerveteri e pu contare su una corposa bibliografia. findspot: Caere (Cerveteri) (Castellani collection 172) Download Free PDF 1 f Michelangelo Zecchini IL CRATERE PROTOATTCO DI ARISTONOTHOS: LETTURE DI IERI E DI OGGI1 Il cratere protoattico di Aristonothos (altezza cm 36,3, Musei Capitolini, gi in Collezione Castellani, 650 circa a. potter (and painter): Aristonothos, signed on A: ΑΡΙΣΤΟΝΟΘΟΣ ΕΠΟΙ(Ε)ΣΕΝ (one of the earliest signatures) Aristonothos was a Greek immigrant working in the Etruscan pottery workshop of Caere the letters mostly follow the alphabet of Chalkis on Euboia, the style reminds of protoattic vases description A: Odysseus at the left end of the cave, 4 of his comrades blinding Polyphemos English: object type / vase shape: footed krater, painted in silhouette technique
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